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| Studio
Production This is a helpline. It's about ears, guiding the project, caring for the people, and planning, planning, planning! |
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| When
I began learning audio engineering, I very quickly learnt that all the
men like leaning over your shoulder and telling you what you should
be doing, without waiting to see if you already know! As there is always
so many experts around, I decided to leave them to it, and concentrate
on producing sound for them to capture. |
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| PLANNING
PROCEDURES |
Budget.
Which studio? Which engineer? How many tracks wanted/needed/available?
How many sessions? How many hours? Which hours? Who comes when? Planning
post production mixdown, mastering, printing and pressing. AMCOZ royalties.
Arranging instrumentation of tracks. |
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| RHYTHM TRACKS |
Playing to a click track or
not? Bass and percussion. Are they too much? Are they tight and accurate?
Fix electronically or live? Does every song need them? |
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| VOCALS |
Guide tracks. Pronounciation
of vowel sounds - which country does it sound like, y'all? Inclusion of
consonants at end of word. Breathing at the right places. Are lyrics understandable
on first hearing? If not, is it the arrangement, the mix or the singing?
Is the pitching accurate? Harmonies. Do the guitars drown the lyrics like
they usually do live? |
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| INSTRUMENTATION
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Variety is the spice of sound.
Bringing in other instruments for track variety and effectiveness - scored
or improvised. Synth sounds or live? |
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| STYLE |
Does the idea work well enough? Could it have other "flavours" e.g.tango, afro, etc | |||||||||
| LIVE RECORDING |
Is this an option. Live plus studio dubs? Which tracks would be better in a studio? Why? | |||||||||
| CONTACT |
email
Bruce for production advice or assistance. Preferably with your phone
number so we can discuss your project. |
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